Natalie Ogbourne

Eight years ago, two months after we landed in a new place, spring unfolded like the twelve days of Christmas, each morning bestowing blossoms of a new color.

Crocus peeked over the winter’s covering of melting snow. Creeping phlox draped over the rock wall and tidy circles of hosta poked through the mat of the previous autumn’s fallen leaves. A small band of hyacinth and tulips held their blooms aloft near the cluster of tiny grape hyacinth massed at the base of a tree, a tree that revealed itself to be a redbud. Daffodils danced betwixt them all and even at the edge of the woods that is our backyard.

We’d received a gift, a garden–a mature garden–along with the house, one that someone else had labored to plan and maintain. Even though I don’t have the gardening gene that many members of my family carry, I recognized it as a gift because long ago Martha Steward told me so. Fifteen years, she’d told her TV audience, is how long it takes for a garden to mature, to get to that place the gardener had envisioned at planting time.

I love the idea of a garden. I planted an herb garden outside our first apartment. I’ve planted flowers at every home where we’ve lived. Once, I even planted a vegetable garden. But never have we stayed in one place long enough for our gardens to grow up.

The weeds sprang up that first spring with the same vigor as the flowers so, gardening gene or no, I went out to pull them. One side of the garden, the side across from the living room window, had few intruders, making it easy to work my way along the long stretch of green. But as I got further away from the window, the weeds grew thick and the hosta’s tidy circles gave way to a tangled jungle.

While I may love the idea of a garden, the years have proven that I don’t like the practice of gardening– the watering and weeding, the deadheading, the continual care. And while the gardens in my mind come straight from the pages of Martha Stewart Living, Victoria, and Midwest Living,  the actual work of my hands resemble those not at all. My herb garden lacked the magnificence of the ones in the magazines. My flower beds look neither vibrant nor lush. And my vegetable garden? Great with child when I planted and comforting an inconsolable infant during harvest, I’ve not taken that road again.

When a friend admitted she had “romantic notions” about gardening, she gave me words to understand the rough break between the lush gardens in my head and the ones that languished in my yard.

I waded further into the garden, past my romantic notions, pulling up plants of suspect etiology until I reached the farthest and most neglected end. There, in the shelter of the unfurling hosta, mass plantings of delicate, low-growing bluebell and lily of the valley broke the wall of green. Here were jewels I hadn’t set out to discover and without the practice, the work, of gardening, I’d never have cleared away the weeds that obscured them from view. I’d never have known they were there at all.

Spring in a new place, whether that place is a locale or a perspective, is like that, revealing what’s buried beneath winter’s snow, under the soil, behind the weeds. It challenges the romantic notions which stand in the way of tending, of progress, of discovery. It invites us out, beckons us to clear away the weeds and cultivate the land, wherever–or whatever–that land might be.

And you? Might you find little gems tucked within an untended wall of green in your life?